Actors’ Equity At 100

Actors’ Equity Association was born to fight the appalling working conditions actors faced – no pay for weeks of rehearsal, having to buy their own costumes, etc. – in early 20th-century New York. Over the next hundred years, the union bargained successfully with generations of producers, spread across the US, and was at the forefront of social issues from segregation to HIV/AIDS.

Longtime Village Voice Theatre Critic Axed

“Michael Feingold, 67, began writing for The Village Voice in 1970. His columns are known for the erudition and understanding of theatre history, both ancient and modern, and how current plays fit in with that continuum. Aside from John Simon, Feingold probably possesses more first-hand knowledge of New York stage history than any other currently working theatre critic.”

L.A.’s UnCabaret At 25

For a quarter-century, “it’s been a place to hear unvarnished, rough-edged ideas being tried out … It brought in funny people from the huge Hollywood talent pool … and freed them to talk about things in their own lives.” Founder Beth Lapides’s key instruction to performers: “When you get onstage, do the material that, if you don’t do it, your head is going to explode.”