Theatre Critics Are Thin-Skinned, Nervous And Overly Gentle, Says Theatre Exec

Nica Burns of Britain’s Nimax Theatres: “I do think critics tend to live in a bubble of their own. They are often very thinskinned and slightly nervous about the reaction they may find from those they criticise, and are actually far more gentle people than we actually need to have because we [the industry] do accept that [criticism] as part of the process.”

Chicago Is A Great Theatre Town. What It Needs Is Producers

“We felt like if we could prove that taking a show from a nonprofit, just like they do in New York, capitalizing it, enhancing it, bringing it to a larger space–if we could prove that you can do that and make money, maybe we could start that kind of community here in Chicago. And since nobody was doing it, it felt like a really good opportunity.”

How The Normal Heart Has Changed Over Three Decades

Simon Levy, director of a new production at L.A.’s Fountain Theatre: “In the mid-’80s, it was completely agitprop. It was all about anger, about the city’s lack of response, the government’s lack of response. It was all about getting our voices heard. It’s been 30 years; people now look at the play and go, ‘Oh my God, this is a really good play’.”

How New York Theaters Find Housing For Visiting Performers (It Isn’t Easy)

“Theater companies and stage productions around the country are often obliged to house actors, directors and others from out of town. In some instances, it is a union obligation. In others, it is just the cost of doing business with a bright star. In New York City, it also means that a life in the arms of the theater can include elbowing around in a fraught and expensive market for real estate.”