‘Hedwig’ Composer Stephen Trask On The Show’s Long, Unlikely Road To Broadway

“We’ve been building momentum over years, with the movie and with smaller productions. It’s like a band that toured for fourteen years. Slowly the rock kids who didn’t like theater found it and the theater people who didn’t like rock found it and then a core grew. … Our opening night sold out in like an hour – we were a hit before we opened, just based on the core audience.”

Why Should Non-Fiction Theatre Get More Respect Than Regular (Made-Up) Plays?

“One of the errors that verbatim theatre often makes is to conclude that because something is true, it is more interesting. Or rather, more interesting than something that has been made up. … Why should that give it any more currency than a story that has been entirely made up and yet feels as if it’s real – or more real than real?”

Theatres Owe A Big Thank-you To The Churches That Host Them

“The idea of sticking a theater inside a church or synagogue offers benefits for both sides. Impecunious theaters get cheap space (often in prime locations) and can avoid a whole variety of licensing and other costs by producing within the footprint of a church. Many churches have more space than they need … and arts groups bring in people who might just end up going to services.”

The Groundlings At 40: Still Making Los Angeles A Comedy Hotbed

“Students work through five levels over roughly five years before gaining a shot at joining the Sunday company, which itself is a steppingstone to being a Groundling. Only the best are voted in. Though close to 1,000 students are enrolled in the program, there are only 30 Groundlings at any one time — and they write and perform without pay while collectively serving as the company’s artistic director.”