Inside Theme Park Musical Theater

“Theme park shows have a reputation like cotton candy’s: They’re sweet and they go down easy, but they’re not much to write home about. Part of that comes from how much they stick to a formula. Run times rarely exceed 30 minutes, the faster to get people dried off or cooled down and back to the rides. … But streamlined doesn’t mean substandard. Though the shows’ content may be lighthearted, the talent is often Broadway caliber.”

Is This America’s Ideal Theater Company?

“So often in my conversations with artistic directors I’m dismayed by their willingness to accept the status quo. If mindless musicals are what draws in the crowds, then mindless musical it will be … Box office becomes confused with artistic merit, making it easier to let fiscal expediency dictate taste.” But Charles McNulty has found one house that’s getting it right.

FringeNYC – Not Your Father’s Fringe Festival? Well, It Is Now

“Common sense might suggest that artists well ensconced in their careers would look askance at FringeNYC’s no-frills, DIY ethic … But to Ms. Prince and other longtime grown-ups, the chance to present a show cheaply in New York is a potent lure, even if each production has only 15 minutes to put up its set and 15 minutes to strike it afterward.”

London’s Actors Unions Want 10 Percent Pay Bump

“It is now campaigning for a 10% increase to the minimum weekly rate for performers appearing in shows at West End venues with a capacity of less than 800, and an 8% increase for those performing at West End theatres with a capacity above 800. West End performers on Equity contracts currently earn between £518 and £633 per week, depending on the size of the venue.”

Rome Theater Evicts Squatter Theater Artists After Three Lively Years

“The curtain will come down on Sunday on the three-year occupation of the Teatro Valle, putting an end to a self-management experiment that turned the storied theater here into a lively cultural hub. City officials have given the occupiers of the theater – a motley cast of actors, technicians, playwrights and sundry artists – until Aug. 10 to leave so that renovations can begin on the theater.”

Canadian Ship’s Theatre Company Endangered By Bureaucratic Reclassification

“Since its launch in 1997, the Amara Zee has been designated a pleasure ship, which allowed for less-stringent regulations. But recently, the Canadian authorities notified the troupe that the vessel could no longer be classified as a pleasure craft. Mr. Kirby said the change would result in expenses the company cannot afford, including hiring a crew of professional mariners, meeting stricter and costlier regulations, and restricting travel routes.”