Leading UK Theatres Say They Commit To Better Gender Balance

“Gender equality organisation Tonic Theatre analysed productions staged on September 13. This found that of the 24 productions staged across the top 20 theatres in receipt of the most Arts Council England core funding, women accounted for just 8% of writers, 37% of performers and 38% of directors. Women made up 17% of sound designers, 22% of lighting designers and 57% of set designers.”

Barbican Cancels “Human Zoo” Project After Protests

Exhibit B came under attack for its alleged racist portrayal of black African people, with campaigners demanding its withdrawal from the Barbican programme. The Barbican confirmed today that it had been forced to cancel the remaining performances due to “the extreme nature of the protest and the serious threat to the safety of performers, audiences and staff”.

The Problems With Cross-Gender Casting In Shakespeare

“The two best justifications for the practice are a relative shortage of major roles for women and a desire to freshen up overfamiliar texts.” Yet, argues Mark Lawson, cross-casting sets carefully wrought father-daughter and mother-son relationships (Prospero and Miranda, Lear, Hamlet and Gertrude) awry, and “if the governing aim of a production is to make the play seem different, perhaps those involved ought to be doing a different play.”

India Develops A Stand-Up Comedy Scene

“Affluent Indian urbanites – till now weaned on a censorship-prone diet of cinema and soap operas – are awakening to this new form of entertainment, fascinated by the prospect of non-stop laughs for an hour. And they’re willing to pay for it.” But comedians doing their usual skewering of taboos face more-than-usual risks.