Why Reading Plays Is So Great

“In fact what I am doing in that moment of reading is acting. I’m not on a stage or in front of an audience; I am not even moving or speaking out loud. … I may be acting silently inside my head, but in that instant, I’m an actor – a unique and rewarding response better elicited by published plays than by any other kind of literature.” Dan Kois demonstrates how this works, with Annie Baker’s The Flick.

A Couple Of Apps To Guide Dynamic Theatre Ticket Pricing And Audience Feedback

One project will use algorithms that automatically lower or raise the venue’s ticket prices in line with demand, as well as the length of time they were booked in advance. Another project – the Audience Discovery Project app – which has been granted £100,716 – will allow event attendees to give feedback on their experience. The project hopes to then use that information to personally recommend events at venues across the city, and encourage return visits.

A Broadway Play’s Long, Messy Journey To Cinema Screens

“Efforts to screen high-definition broadcasts of Broadway shows in movie theaters have been random, halting and frustrating. Yet, in little more than a month, a filmed-live version of the recent Broadway production of Of Mice and Men came together and, beginning in November, will be beamed into about 1,400 theaters around the world. It required an unlikely series of coincidences and a measure of sheer doggedness.”