How Ironic Is It That Our Most Celebrated “Un-Blockbuster” Theatre Composer Has A Hit Movie?

“Stephen Sondheim is the antibody of the blockbuster, the antithesis of mass taste. He writes for questing minds, disdaining sunshine, inhabiting the deep, dark woods of moral ambiguity. At his most challenging, in Sweeney Todd, he elicits our sympathies for cannibalism. At his gloomiest, in Company, he seems to conclude that man’s fate is always to be alone. Sondheim is not an easy date, never a sell-out.”

Is There Really An Anti-Writer Trend In British Theatre?

“There has been a shift of opinion against playwriting, in favour of collective methods of theatre. The very activity of playwriting has been attacked as individualistic, undemocratic and even immoral,” playwright David Edgar recently declared. Lyn Gardner begs to differ: “But even if what Edgar is saying is just a provocation, I’m really not sure that talking about an ‘anti-writer trend’ is either true or helpful.”

This Is How Theatre Becomes Essential For Local Communities

“First, the theatre-makers must ensure they reflect those communities. Second, they need to be trained to work alongside the communities, to channel their lived experience into art, with skill and authenticity and often for community members themselves to perform. And third, the whole theatre industry needs to be open to members of different communities becoming new theatre artists themselves, and commit to supporting and encouraging that.”