Hugely Successful Theatre With An Unusual Business Model Is Making A Mark On Broadway

“Playful’s ability to commission and develop new plays is subsidized by an unusual business model: the producers take on the workmanlike roles of general manager on unrelated productions in the West End. The principals deal with contracts, arrange auditions and troubleshoot on shows without producing them, specializing in overseeing London musical imports from the U.S. such as Wicked, Shrek and Kinky Boots. It’s akin to running an international restaurant chain while spreading the risk and covering overheads by providing cutlery and menus to rival eateries.”

Turmoil At Actors Equity Union (So Now What?)

“Its heavy-handed approach to the Los Angeles theater community reveals serious flaws both in Equity’s vision of the future and its ability to implement any vision at all. From the beginning, Equity misread the sentiment of its LA membership — perhaps out of a myopic view of LA theater — or simply out of ignorance.”

How Doing Theatre For An Audience Of One Changes The Experience

“Acting is often spoken of as a narcissistic pursuit, but it seemed much more humble at Theatre for One. Why crave the attention of multitudes when the most we can ask for is to be seen—fully, if momentarily—by just one person? Being an audience of one started to feel less indulgent, too. When I stepped out of the booth, the line was twenty deep.”