How Much Should A Theatre Worry About Offending An Audience?

“Instead of censoring or sanitizing content that “might offend,” theatres should look at such works as opportunities to engage their audiences in critical public discourse about important issues in the play, because if we approach theatre as something that should be feared or approached cautiously, then we’ve robbed it of it’s power before the actors have even said a word.”

Do Our Theatre Reviews Have A Racial Bias Problem?

“Reading these reviews just after following reports from the Americans in the Arts and Theatre Communications Group conferences, which demonstrated a genuine desire on the part of arts institutions to address diversity and inclusion, I worry that if the arbiters of art continue to judge work based on retrograde social views, it will only slow progress in the field that, as it is, has already been too long in coming.”

In Hungary, ‘Independent’ Theatre Isn’t Quite As Independent As It Sounds

“Life is rife with lack of understanding, lack of tolerance, and a persistent impatience that has become a part of our everyday lives. The campaign against independent theatre companies led by the right-wing government has lasted for half a decade now. Though this issue seems to be a local concern, it reflects the general situation and the mental condition of the whole country.”