Disabled Characters And The Theatre – Some Considerations

“Why is one considered a beacon of acting talent for playing a disabled character convincingly? Why is it a common expectation that these actors will transform into characters whose experiences they can never truly understand? And, perhaps the most important question: if able-bodied actors continue to be cast in these roles, what opportunities are left for disabled actors?”

Dramatizing Egypt’s Political And Social Issues With A Bedroom Farce

Threesome, by Yussef El Guindi, “begins as a bawdy bedroom comedy whose main characters, a heterosexual Egyptian-American couple, invite a white American man into their bed. Over two acts it transforms into something darker, as all three grapple with the fallout of sexual assault, infidelity, war and the pain of lost hope, both political and personal.”

Peter Brook Returns To Mahabharata For New Theatre Piece

The director and his colleagues who wrote and staged the nine-hour production that toured the world in the 1980s have returned to the ancient Indian epic for a work titled Battlefield. The four-actor staging opens in September at Brook’s longtime venue, the Théâtre des Bouffes du Nord in Paris, and will tour to London, three cities in Italy, Amiens in France, Singapore, Tokyo, and Hong Kong.

What Robin Phillips Did For Canadian Theatre

“Many of this country’s finest directors (like Antoni Cimolino and Albert Schultz) learned their craft as young actors in Phillips’ finest days. Hundreds of performers credit him as a watershed in their creative existences. Offstage, he was a complex man who inspired intense emotions from friends and enemies alike, but no one who truly cared for the theatre could ignore the great good he did for all of us at a crucial point in the development of theatre in this country.”