“The issue has been a fairly personal one for Miranda: ticket prices for his hit musical Hamilton soared to outrageous heights during his final weeks as the show’s lead actor. The New York Times reported that scalpers made $15.5 million off of his last 100 performances alone, and the going price for an orchestra seat at his last show was about $15,000.”
Category: theatre
What’s Saving Malaysia’s Traditional Puppet Theater From Islamists? ‘Star Wars’
When it came to power in one Malaysian state back in 1990, the Pan-Malaysian Islamic Party banned the wayang kulit altogether because so much of its subject matter came from ancient Hindu epics. So a pair of enterprising young men turned to a different mythological epic.
How Mark Rylance Shaped His Most Famous Shakespearean Role (The Corset Helped)
“When you live with a woman for more than a decade – as Mark Rylance did, on and off, with a certain countess famed for her beauty and her severity – you come to know her well.”
The Archaeologists Digging Up One Of Shakespeare’s Theatres
“We found the bottom part of the whistle; the top, which is missing, would have formed a small reservoir for water with a spout for blowing through. The warbling effect is created as the air bubbles through the water. These type whistles may have been used for sound effects in theatrical performances. In Shakespeare’s Romeo and Juliet, staged at the Curtain Theatre in the late sixteenth century, there are numerous references to bird song.”
Women In The United Arab Emirates Are Taking On That Country’s Sexist Theatre Practices
“Male playwrights naturally veer towards telling male-centric stories, with women given supporting roles. So for women to have the same opportunities, we need to see more women turning to writing and telling stories that expose a woman’s perspective on life and things that matter to them.”
Theatre Repertory Companies Have Mostly Disappeared. But When You Experience Them…
“Seeing plays in repertory sparks conversations in the mind between shows, between periods. And it’s also distinctly satisfying — sometimes even astonishing — to watch an actor you’ve seen in, say, a Shakespeare tragedy performing a day or so later in a classic American musical.”
A Philadelphia Theatre Goes Pay-What-You-Wish (There Are Risks, Of Course)
“While their programming is exciting and admirable, these plays and their popularity are untested. There is always the chance new audiences will walk out unsatisfied and withhold their contributions. And how will this strategy reach Philadelphians who don’t already have Azuka on their radar? It’s one thing to offer up more accessible theatre, but if the same theatregoers are the only ones taking advantage, where’s the progress?”
You Pay A Real Emotional Price To Be A Stage Actor
“It’s a highwire act, live performance, the psychological stresses of which one medical study has likened to ‘a small car crash’. That might explain the adrenaline rush actors feel immediately after coming off stage, and the strange hangover that can come the next day.” Kate Fleetwood, Michelle Terry, and Ben Miles tell what it’s like.
Is Putting Shakespeare Into Modern English Really A Good Idea?
Linguist John McWhorter and Rutgers professor Jack Lynch, author of Becoming Shakespeare: The Unlikely Afterlife That Turned a Provincial Playwright into the Bard, discuss the ‘sacrilege” issue. (podcast)
West End Staffers Sue Britain’s Largest Theatre Owner, Alleging They’ve Been Shortchanged On Pay
“Entertainment union BECTU is representing 38 front-of-house workers across all of [Ambassador Theatre Group’s] West End venues, claiming they have been paid less than the agreed Society of London Theatre rate.”
