Audra McDonald: Theatre Can’t Miss This Moment

The Broadway star – the only performer to win six Tonys, in all four available categories – says it’s her job to create more space for other African American actors, and call for institutional change as well. “This feels like real change now. There are going to be too many people watching and too many people demanding that things look different. … Theatre will be left in the dust, I think, if we don’t make substantive changes.” – The New Yorker

New Project Aims To Get More Black Theater Professionals Backstage As Well As Onstage

“Career opportunity on Broadway doesn’t begin at the box office, but in the front office. And that’s where T. Oliver Reid, Warren Adams and their fellow advocates have set their sights in a campaign to massively increase black employment in the theater business. Their effort — under the banner of a new organization, the Black Theatre Coalition — is already making an impact.” – The Washington Post

Andrew Lloyd Webber Tries Putting On A Socially Distanced West End Show

It was a one-time pilot project, performed in front of 640 people spread out through the Palladium, one of London’s biggest theatres. The program: one singer, Beverley Knight, doing two half-hour sets separated by an intermission. Alex Marshall reports on how it went. (ALW’s reaction on seeing the “full” house: “I’ve got to say this is a rather sad sight.”) – The New York Times

There Are Plenty Of Black Plays Ready For Broadway When It Reopens. Will Broadway Take Them?

“Interviews with artists and producers suggest that there are more than a dozen plays and musicals with Black writers circling Broadway — meaning, in most cases, that the shows have been written, have had promising productions elsewhere, and have support from commercial producers or nonprofit presenters. But bringing these shows to Broadway would mean making room for producers and artists who often have less experience in commercial theater than the powerful industry regulars who most often get theaters.” – The New York Times

Virtual Theatre Is Changing The Notion Of Theatre

Given social-distancing protocols that prohibit physical gatherings, theatre makers have responded creatively to the COVID-19 pandemic by turning to online, digital and lo-fi or “non-embodied” modes of performance that use radio and phone. This change in how to perform theatre has required a reconsideration of longstanding ideas of what it means to be a theatre audience member: How has access to theatre changed? What etiquette is expected? How have ideas of privacy and intimacy shifted? – The Conversation

Black Theatermakers In Europe Talk About The Change They’re Working Toward

Excerpts from a recent Zoom conversation among three artistic directors — Kwame Kwei-Armah of London’s Young Vic, Julia Wissert of Schauspiel Dortmund in the Ruhr Valley, and Eva Doumbia of Compagnie La Part du Pauvre near Rouen — about their challenges as well as “white universality, decolonizing theater institutions and their issues with the word ‘diversity.'” – The New York Times