Why Thornton Wilder’s ‘The Skin Of Our Teeth’ Is Suddenly Relevant Again

Seems like we hadn’t seen much of Wilder’s second-most famous play in recent years; Wilder himself once wrote that “it mostly comes alive under conditions of crisis.” Laura Collins-Hughes talks to three prominent directors – Carey Perloff, Bartlett Sher, and Arin Arbus – and playwright Paula Vogel about both the script’s problems and why this might be a good time to produce it again.

‘White Guy For Rent’ – Playing Random Foreigners To Help Chinese Developers Sell Condos

During the big real estate bubble a few years ago that led to China’s now-notorious “ghost cities,” expats like David Borenstein found work as what Chinese called a “laowai-for-rent” – appearing at real estate sales events pretending to be a foreign businessman or musician or athlete in order to make the development look international and important. Borenstein tells Linda Poon what it was like.

I Directed The Nairobi Premiere Of ‘Grease’ At Age 15

Fast-rising Off-Broadway director Saheem Ali writes about how he saw his first show ever on a trip to London and came home to Nairobi obsessed – and came home to the Kenyan capital and cast, designed, directed, choreographed, and starred in his own “very makeshift, highly illegal, passion-fueled” production of it.