Actors Revolt Against New Director At One Of Poland’s Leading Theatres

Teatro Polski in Wrocław has always been considered one of the country’s most daring. But company members argue that the new artistic director, Cezary Morawski – installed by the nationalist Law and Justice Party’s government – is doing work that’s commercial, old-fashioned, and unambitious, tarnishing the theatre’s reputation at home and abroad. Staff has been fired, petitions have flown, and the national culture minister has been pulled into the dispute.

Theatre Could Act To Stabilize American Society, If Practitioners Decided To Commit

Jonathan Wei of the Telling Project: “Art can provide the opportunity for inquiry, immediacy, presence, receptivity, and vulnerability. It can provide a space for the expression of the primary desire to expand one’s world, to embrace rather than exclude, to experience rather than define, to immerse rather than to understand, and to contemplate rather than formulate.”

How Joe Haj Is Reinvigorating Minneapolis’ Guthrie Theatre

“Building on a foundation laid by his predecessor Joe Dowling — a visionary leader who built the Guthrie’s new home but became somewhat isolated from his staff and the community by the end of his 20-year tenure — Haj is bringing new voices and more resonant programming into the mix. He and his leadership team also are pressing the flesh in the community in ways that have been a pleasant surprise to Twin Cities arts leaders.”

Website Aiming To Be The Rotten Tomatoes Of Theatre Raises $2 Million

The new funds, ponied up by a group that includes Hollywood veteran Gail Berman and Gilt Groupe and Business Insider founder Kevin Ryan, will go in part toward expanding Show-Score’s activities beyond New York to markets that have expressed interest in the site, both in the U.S. and in London. The money also will help sustain exploratory efforts at what Show-Score founder Tom Melcher calls “harnessing the story of the audience’s reaction to theater,” including fan art, Instagram posts, videos and photography.

In A First, West End Theatre Asks Patrons Not To Eat In Their Seats

The Ambassador Theatre Group has asked ticketholders to the revival of Who’s Afraid of Virginia Woolf? “that no food be consumed during the performance.” (This may have been at the request of star Imelda Staunton, who has publicly complained about the practice.) This request is evidently unusual enough that ATG later felt the need to stress that food has not been banned outright.