Stage Actors Must Fall In Love, Instantly, Performance After Performance

After a long rehearsal and a lot of planning, actors know how to substitute themselves for the characters (mostly without creating problems for the actors themselves). They can be “clear about drawing distinctions between performance and life. Ms. Grant believes in ‘really healthy, strong boundaries,’ she said, and as Mr. Hernandez put it,’This is literally my job. I went to school for it. I’m not skeezing on anybody. It is in the text.’ No carnal appetite here.”

When New Yorkers Rioted Over How To Perform ‘Hamlet’

“When Major-General Charles Sandford recalled the scene at the Astor Place Theatre on May 10, 1849, it was with a sentiment one would not normally associate with a night at the theater. ‘During a period of thirty-five years of military service,’ wrote the general, ‘I have never seen a mob so violent as the one on that evening. I never before had occasion to give the order to fire.'”

How Much Adult Content Is Desirable In Children’s Theatre?

“I as a director do not feel it is my responsibility to have a dialogue with a young person about subject matter that should be left to the parents. So to do a scene that is dealing with sex — I mean, I have trouble even just communicating a kiss and the emotion of love and attraction, let alone talking through a scene where they’re having sex. There’s no way I could ever do anything like that.”

Yes, Tony Kushner Is Writing A Play About Donald Trump

“The play, he says, will not focus on the Trump presidency itself, but will be set two years before the election. Kushner says he will try to write Trump as a direct character, rather than anything oblique or symbolic. ‘He’s the kind of person, as a writer, I tend to avoid as I think he is borderline psychotic,’ Kushner says. ‘I definitely think that incoherence lends itself well to drama, but he really is very boring. It’s terrifying because he has all the power, but without the mental faculties he ought to have.”