Who Should Be Allowed To Touch A Screenwriter’s Work?

The playwright – and screenwriter – David Hare explains the difference between writing for stage and screen. “All time spent considering your play is well spent, regardless of outcome. One day you write nothing, the next you write eight pages. It’s not in your hands. … Life is different when writing for the screen. For every hour you spend writing a screenplay, you spend 10 hours defending it.”

The Royal Court Has A 30-Point Plan To Address Sexual Harassment In Theatre

In the wake of many, many allegations (including those about Kevin Spacey when he was at the Old Vic), the plan is quite strong. “Royal Court artistic director Vicky Featherstone said her organisation would be adopting the code of behaviour immediately and it represented the ‘beginning’ of an industry-wide conversation about how to bring about lasting change.”

Did This Marin Theatre Company Play Romanticize A Master-Slave Relationship?

The play is Thomas and Sally, which is about the teenage Sally Hemings, and her owner and the father of her children, Thomas Jefferson. The play’s advertising earned it plenty of protest, and that was before it opened (it closed Oct. 29). It’s garnered much protest, including “an open letter … released by 13 black artists, calling for a public apology from MTC. The letter has received over 1,600 signatures, among them playwrights Dominique Morisseau and Lauren Gunderson (both of whom have affiliations with MTC).”

Pop-Up Replica Of Shakespeare’s Rose Theatre To Debut Next Summer

“A 950-capacity pop-up open-air theatre modelled on Shakespeare’s Rose will rise next summer on a scruffy car park in York, to present a three-month season of [four] Shakespeare plays. … The theatre, which is claimed to be the first of its kind in Europe, will stand in a mock Tudor fairground, with themed food and entertainment including free performances from the back of carts.”

Protestors Accuse New Play About Jefferson-Hemings Relationship Of Romanticizing Slavery And Rape

“The central question of [Thomas] Bradshaw’s play – whether Sally Hemings, who as Jefferson’s slave was his legal property, could have loved her master, who fathered six of her children – has made Thomas and Sally the locus of a veritable firestorm of public protest and criticism. With that backlash have arisen questions of how sexual assault and slavery history can and should be portrayed onstage.”

Harold Pinter’s Widow Finds Unknown Play – And Prints It In The Guardian

Antonia Fraser: “I did something I’ve never done before. I scribbled some notes on a page from one of Harold’s yellow legal pads because I was waiting for a taxi to go to Mass, and too lazy to go upstairs. … When I had written the note, I stripped off the yellow page. Then I nearly fainted. Beneath lay Harold’s unforgettable handwriting – although rather frail – and a title: ‘The Pres and the Officer’. Six pages followed, his handwriting getting noticeably stronger.” (includes complete script)