Can North America’s Shakespeare Theatres Expand Their Audiences Without Losing Their Reason For Existing?

Peter Marks: “One can sense, in visiting … companies and talking to leaders of classical theaters across North America, a revolution in how to package Shakespeare is not only gradually gaining momentum but is also being viewed as essential. At Stratford, for instance, an ethos prevails of theater as not simply a passive entertainment. More and more, it’s a conveyance for other social and intellectual activities on the sprawling festival campus.”

In Two Months, Alaska’s Largest Theatre Bounces Back From Financial Disaster

“In June things were looking bleak for Perseverance Theatre, a 40-year-old institution and the largest theatre in Alaska. The company had been forced to cancel its spring show, a new musical called Snow Child, had furloughed several employees, and was more than $200,000 in debt. Local press wondered if the theatre was on its deathbed. Then something miraculous happened.”

More UK Theatres Commit To Giving All Actors Who Audition A Yes-Or-No Response

Last week, in response to a social media campaign tagged #YesOrNo, Britain’s National Theatre promised to contact all actors who auditioned but weren’t cast to give them a definitive answer. Now the Royal Shakespeare Company, London’s Almeida and Royal Court, and several major regional playhouses have joined in making the same commitment, as have a number of prominent casting directors.

Theatre Study In Danger Of Disappearing From UK Schools

According to a survey of 420 members of the Association of School and College Leaders, 28% said they had cut back lesson time, staff or facilities for drama in the past two years. Drama has already weathered substantial decline over recent years, with entry figures tumbling year-on-year. The ASCL’s research comes as this year’s A-level results are announced in England. Final figures show that entries for drama fell by a further 6% on last year, to a total of 11,239 students.

London’s National Theatre Commits To Telling Actors If They Haven’t Been Cast

“It is vital that we pay respect to the actors we meet by always acknowledging their work and contribution to the casting process, which is why the NT wholly supports the #YesOrNo initiative.” He added that while the NT is not always able to make decisions right away, it will let actors know if they have been successful as soon as possible. The #YesOrNo campaign was started after actors criticised the practice of not telling auditionees if that had been unsuccessful.

New York Times And Guardian Theatre Critics Get Together And Compare Their Greatest-Play Lists

Earlier this summer, the Times critics got together and hashed out their choices for the 25 best plays of the last 25 years; a month later, Guardian senior critic Michael Billington assembled his own list of Britain’s best scripts from the last decade. And on “one very sticky afternoon last month,” Brantley invited Billington over to his (un-air-conditioned) temporary London flat for a chat.