STARSTRUCK BEYOND REASON

Isabelle Adjani’s return to the stage in “Lady of the Camellias,” after a 17-year absence, has transfixed Paris’s theater audiences this fall. More than 50,000 tickets have been sold for just 100 performances and the press has gushed over her return. But little has been said of her actual performance. “Is she any good on stage? To some extent, that’s beside the point. Basking in her stage aura is all that a good many people in France seem to want to do. This is not to single out French theatre-goers. The same is true in the West End and on Broadway. When a big star hits the boards, no one cares what the critics think.” – The Guardian

COLOR BIND

The number of minority actors in theater productions on Broadway is dwindling – and most of those working are either in choruses or race-specific parts, rarely getting a chance at major roles. “A report by Actors’ Equity shows a sharp dip in the number of minorities on stage. In musical productions, nonwhite casting was 19.3 percent during the 1999 season, down from 31.2 percent the year before. In nonmusical productions, the numbers for 1999 – the last time such a study was conducted – were even more bleak, with only 7.2 percent of casts drawn from ethnic minorities, down from 8.5 percent in 1998.” – Seattle Times (New York Daily News)