Category: theatre

Seattle Repertory Theatre is the latest arts organization to make cutbacks. “Managing director Benjamin Moore said a full-time work force of 102 annual and seasonal employees will go down to 93, and the number of productions next season will decline from nine to six. Moore is projecting income of between $6.5 million and $7 million next season, down from revenues of $8 million this year.”

Pasadena Playhouse is cutting staff and changing its schedule in an attempt to shore up its budget. “Donations to the playhouse in 2002 fell short of a $1.4-million goal by $300,000, and the 2003 season has attracted 9,842 subscribers, compared to 11,249 at this time last year. As a result, out of 43 full- or part-time staffers, 10 whose salaries were higher than $35,000 took temporary pay cuts of 20% starting in late January. Two box office workers were laid off, after the box office and telemarketing offices were merged. The playhouse’s director of development left in February and has not yet been replaced. The playhouse’s publications editor was laid off, a publicity firm’s contract was not renewed, and the playhouse newsletter was suspended.”

The Broadway cast of Eugene O’Neill’s “A Long Day’s Journey Into Night” – including Vanessa Redgrave and Brian Dennehy – take a field trip to Connecticut to visit the playwright’s childhood home. “It’s nice for me to have certain things here in my head. It just gives me a visceral sense of what things mean. Like when [the character of the younger son, Edmund, says], `I don’t want to go upstairs until she’s gone to bed,’ suddenly means something else when you’ve seen how oppressive the ceilings are. Suddenly you have a mental picture for what it means to these boys to go upstairs. Of course, I’d stay up until 4 in the morning drinking if it meant avoiding going up there.”

Broadway producer Cy Feuer’s memoir of life in the theatre is the classic American story. It’s an old – and compelling – message: “This is America, where any kid can become president, or at least producer of “Guys and Dolls,” “Can-Can,” “How to Succeed in Business Without Really Trying” and “Cabaret.” That’s what Cy Feuer did.”

Seattle’s ACT Theatre, which declared an emergency and said it would close if it wasn’t able to raise $1.5 million, says it has raised half the money. “The theater has received pledges of $750,000 out of the $1.5 million needed to keep the organization going. That amount includes gifts of $5,000 to $100,000 from 15 individual donors, all Seattle-area residents. “We’re cautiously optimistic about making our goal of raising the full $1.5 million by April 15. We’ve approached people in a very targeted way and have actually heard only one ‘no.’ Everybody else has said yes’.”

War is not good for Boston theatre. “Since the fighting started, business is bad, as bad as it was after Sept. 11. People are afraid. They just want to go home now. Indeed, there is a palpable sense of malaise at Greater Boston theaters and concert halls this spring, say local presenters, producers, and performers. ‘It’s very hard to get people out of the house to see anything but light entertainment at this time, and I can’t say I entirely blame them’.”

Broadway box office was down in the second week of the war (is there really a connection between how many tickets Broadway sells and the war on Iraq?). Anyway…”Total box-office receipts for the 27 shows on Broadway skidded to $12.5 million, down from nearly $12.9 million the previous week.”

The Scottish culture minister promises that the government will fund the long-awaited National Theatre in the next session of parliament. Ha! roar the government’s critics. That’s what the government promised at the last election. “Opposition politicians said the timing of the announcement, in the run up to the election, smacked of political opportunism rather than any real desire to invest in the arts. Critics also pointed out that the establishment of a national theatre was a key policy commitment of Labour’s first term in office. Its abandonment has been seen as one of the key failures of the Scottish Executive.”

The musical ‘Urban Cowboy’ opened Thursday to bad reviews. On Frida, producers decided to close the show Saturday. Then changed their minds on Saturday. “For the better part of Broadway’s history, shows regularly closed after one or two performances. In recent times, however, it has been highly unusual for a Broadway musical to close in one weekend, no matter how damning the reviews. Even shows with scathing notices, like this season’s $12 million flop, ‘Dance of the Vampires,’ can eke out a few weeks and have enough cushion money to run television advertisements to fight reviews.”

New 3-D computer technology is about to revolutionize the live stage. With it, designers can create sets that would be impossible to afford otherwise. “Britain’s most wanted stage designer reckons his use of 3-D computer animation will transform theatre for the 21st century, and his claims cannot be doubted by anyone who saw his set for Tom Stoppard’s epic Russian trilogy The Coast of Utopia at the National Theatre.”