Category: theatre

“If you want plush, if you want opulence, if you want to revel in the theatrical experience, then this winter you are in for a treat with the rebirth of two of London’s finest Edwardian theatres, the Hackney Empire and the Coliseum. Thanks to dollops of lottery cash and the generosity of private individuals these two masterpieces by that greatest of Edwardian theatre designers, Frank Matcham, should open on January 28 and February 7 respectively.” But what about London’s other theatres?

There’s a big problem “simmering beneath the surface of mainstream Canadian theatre,” writes Kate Taylor. “In a country that is increasingly racially diverse, the on-stage faces continue to remain almost exclusively white.”

Mary Tyler Moore has quit Neil Simon’s new play while still in rehearsals. “Ms. Moore was seen storming out the backstage door minutes before the 2 p.m. curtain on Wednesday. Several sources close to the production said she had just received a brusque letter written by Mr. Simon and delivered by his wife, the actress Elaine Joyce, reproaching her for not knowing her lines. Ms. Moore had received prompting through a microphone in her ear, the sources said.”

Italian Prime Minister Silvio Berlusconi has an unpleasant habit of burying dissent in the media (of which he controls a fair amount). So who’s ready to skewer him? Playwright Dario Fo, of course. “Thus the time is clearly ripe for Fo to write and perform a commedia dell’arte based on Berlusconi. Fo and, involuntarily, Berlusconi have been building up to the moment for more than 40 years.”

Live theatre offers an audience experience that can’t be duplicated by TV or on film. And yet, “theatre artists are increasingly toying with multimedia, often in commercial settings. Off- and Off-Off-Broadway, is a daring and natural breeding ground for multimedia experimentation.”

Washington, D.C.’s Shakespeare Theatre has announced plans for a new 800-seat theatre to go with its existing home in the district’s downtown. The new theater will cost $77 million, and is expected to open in 2007. The project is a gamble, since there is plenty of theatrical competition in Washington, but the company is confident that it can sell 1,200 tickets a night, and says that its subsribers support the expansion.

Benjamin Forgey says that the Shakespeare’s new building, having been wisely placed on a key block of Washington real estate, will be one of the most significant additions to the city’s architectural and cultural scene in recent memory. “Together with MCI Center, it signifies the reinvention of the old downtown as a new center of arts and entertainment. And as part of a big, oft-stalled development taking up three-quarters of a very large, strategically key city block, it demonstrates that complex obstacles can be overcome with enough patience, time, money and, above all, foresight.”

A Toronto theater has cancelled a production of Chilean playwright Carmen Aguirre’s play, The Refugee Hotel, after Ms. Aguirre complained publicly that director Ken Gass was disorganized, culturally insensitive, and ethnocentric in his casting decisions. Gass insists that he made every effort to find minority actors for the production at the Factory Theatre, but was unable to cast more than one. Aguirre claims that Gass stated flatly that “I want superb actors for your play and actors of colour are not superb.”

Richard Findlay, a trained actor and respected businessman who runs a media empire, has been named as the Scottish National Theatre’s first director. “The Scottish Executive this year set aside £7.5 million in funding for the theatre over two years. It is to operate on an entirely untried model – with no building of its own, commissioning productions from existing theatres and companies.”

“When you see the critics at the theater,chatting up the ushers, signing autographs for all who want them, we seem like a mild-mannered bunch; if you tickle us, do we not laugh? But underneath, we’re vicious, vicious! We’re sworn members of a secret organization, a vast writing conspiracy. Compared to the New York drama critics, the Masons look like the Girl Scouts. And this season’s bad reviews are just the beginning.”