Actor Playing Lead In ‘The Color Purple’ Fired For Old Anti-Gay Facebook Post

Oluwaseyi Omooba, who had been cast as Celie, a queer character, in the revival by the Curve Theatre in Leicester and the Birmingham Hippodrome in England, wrote on the social media site five years ago, “I do not believe you can be born gay and I do not believe homosexuality is right, though the law of this land has made it legal doesn’t mean it’s right.” – The Guardian

Ali Stroker Talks About Doing Broadway Musicals In A Wheelchair

In the 2015 Deaf West revival of Spring Awakening, Stroker became the first wheelchair-user Broadway actor, and she’s now playing Ado Annie (the girl who can’t say “no”) in the revisionist Daniel Fish staging of Oklahoma!. In a Q&A, she talks about what she sees her job as being (and not being) as a “mainstreamed” disabled performer, how she deals with a given theater’s accessibility issues, and showing the public a wheelchair-using character who’s also a sexual being. – Vulture

Keeping Professional Theatre Going For 30 Years In A Far-Flung Pacific Archipelago

Wan Smolbag Theatre in the 70-island nation of Vanuatu is the only professional stage company in the entire South Pacific made up entirely of Pacific Islanders. Three decades after its founding, it’s now the largest locally-based NGO of any kind in Vanuatu: with over 100 employees, Wan Smolbag has expanded into film and into providing social services. – The Stage

Developing New And Diverse Theatre Critics In A Town Without A Culture Of Criticism

The English city of Hull has a lively theatre scene for a town its size, but the local newspaper published only two theatre reviews in the whole of 2018, and the national critics rarely make it to Hull. Jamie Potter of the city’s Middle Child Theatre writes about how his company developed and launched a New Critics Programme to recruit and establish at least eight new critics over four years. (And they made a point of seeing that the writers they chose weren’t all, as Potter puts it, “male, pale, and stale.”) – HowlRound

‘Theater That Gets In The Way’ — A Company Puts Itself On The Front Lines Of Poland’s Culture Wars

Two years ago, the actors of the Powszechny Theater in Warsaw had to barricade themselves inside their building against conservative Catholic protesters angry about their production The Curse, about the suxual abuse of children by priests. This year, the company is following up with a staging of Mein Kampf. No wonder its slogan is “Theater that gets in the way.” – The New York Times

Oregon Shakespeare Festival Names Bill Rauch’s Successor As Artistic Director

“Nataki Garrett, currently serving as acting artistic director for the Denver Center for the Performing Arts, will take the reins in August … The announcement ends a nearly yearlong search following Rauch’s February 2018 announcement that he would step down from the post — also this August — for his new artistic directing job at the Ronald O. Perelman Center for Performing Arts at the World Trade Center in New York City.” – The Mail Tribune (Medford, OR)

Leadership At Top US Nonprofit Theatres Is Finally Becoming More Diverse

“Across the country, scores of artistic directors, most of them white men who have served as community tastemakers for years, are leaving their jobs via retirements, ousters, and an industrywide round of musical chairs. As their successors are appointed, a shift is underway: according to a national survey conducted by two Bay Area directors, women have been named to 41 percent of the 85 jobs filled since 2015, and people of color have been named to 26 percent.” – The New York Times