Parsing The Personals In The New York Review Of Books

“They’re sort of like the brainy, geriatric version of the ads on Match.com. Nothing as vulgar as a photograph, of course, and quite a bit of talk about culture signifiers. The women – it’s about 90 percent women – are always slender – so slender, in fact, that you could probably fit six of them into the backseat of a Chevrolet.”

What Differentiates Publishers From E-Book Distributors

“In this increasingly virtual age of open access and universal availability, it’s important for readers to keep in mind what it is that a publisher does for an author. A publisher … selects, nurtures, positions and promotes the writer’s work. An e-book distributor is not a publisher, but rather a purveyor of work that has already been created.”

Rule #1: ‘If You Want To Be A Great Writer, Be A Man’

How to change the fact that male writers and subjects are seen as inherently more laudable than female writers and subjects? “First, we have to see prejudice. The top prizes’ discrimination against women has been largely ignored. We can’t ignore it any longer. PW hasn’t yet owned up. Neither has the Pulitzer committee — though there’s hope.”

The Semiotics Of The Dude

The Big Lebowski has spawned its own shaggy, fervid world: drinking games, Halloween costumes, bumper stickers (‘This aggression will not stand, man’) and a drunken annual festival … The movie is also the subject of an expanding shelf of books,” including scholarly studies. Why? “Where cult films go, academics will follow.”