Why Artists Should Write About Their Work

“If artists more frequently approached writing in public as just such an extension, rather than a means of explaining or promoting it, they might find the process comes more naturally. I’m calling for a messier kind of writing, more vulnerable and yet more declamatory. Writing that is the product of a desire to speak as well as an obligation to communicate.”

A Contrarian’s Dictionary, Seen From An Adjacent Century

“You don’t open a Dictionary of Modern English Usage to brush up on “sound linguistic principles” or to find out whether a phrase is common enough to be uncontroversial. You open it, rather, to consult the opinions of those whose understanding of the patterns of language is wider and deeper than your own, and who have a more sensitive ear for its rhythms and resonances.”

Is Reading Over-Rated?

“One might argue that literacy is unalloyedly a good thing – yes, I can think of counter-examples, but then again one always can – but it is pretty clear to me that reading, as in reading of literature, is not. What we read can affect us vitally, penetrate, stimulate and inform us, but not always in the right ways, or at the right times, or about the right things.”

Martin Amis: Only A “Brain Injury” Could Make Me Write A Children’s Book

“I say, ‘If I had a serious brain injury I might well write a children’s book’, but otherwise the idea of being conscious of who you’re directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable. I would never write about someone that forced me to write at a lower register than what I can write.”