How Prizes Are Ruining Poetry

“The sheer number of poets now plying their craft inevitably ensures moderation and safety. The national (or even transnational) demand for a certain kind of prize-winning, “well-crafted” poem–a poem that the New Yorker would see fit to print and that would help its author get one of the “good jobs” advertised by the Association of Writers & Writing Programs–has produced an extraordinary uniformity.”

Hilary Mantel On Putting Words In The Mouths Of Her Tudor Characters

“How do you give the past a human voice without betraying it or making your reader furiously impatient? Too much period flavor, and you slow up the story. ‘Nay, damsel, be not afeared,’ may be authentic, but it will make your reader giggle. If you give way to an outbreak of ‘prithee’ and ‘perchance,’ then perchance your reader will hurl the book across the room.”

Alison Bechdel’s New Graphic Memoir Is About Her Mother – What Does Mom Think?

“She really feels like the book is – she sees the hostility; she doesn’t see the love. And that is distressing to me. … I got a pre-pub review that talked about my ‘substantive yet essentially distant’ relationship with my mother, and I showed her that review and she was really psyched about it. … She did not seem the least bit fazed to hear our relationship described as ‘substantive yet essentially distant’.”