Faux-Twitter: Is That Really Blake Gopnik?

“Washington Post art critic Blake Gopnik recently attracted a Twitter impostor of his own. As with the fake [Frank] Luntz feed, the impostor generally posted non-malicious comments that likely seemed plausible to the casual observer. But after the fake Gopnik posted a dismissive comment about a museum, the real Gopnik received some snarky remarks on an art blog at the Seattle Post-Intelligencer. The fake Twitter feed has been removed.”

Fim Composer Maurice Jarre, 84

“Jarre, father of the composer Jean-Michel Jarre, rose to prominence relatively late in life. His breakthrough came in 1962 when he wrote the score for Lawrence of Arabia, for which he was awarded an Oscar. He won two further Oscars for Doctor Zhivago and A Passage to India, and composed music for more than 150 films.”

The Jay Jopling Phenomenon

“The 6ft 3in art dealer — or “gallerist”, to use the art-world jargon — is at a crossroads. After all, for the past 15 years, since he set up the gallery White Cube, Jopling, known as “JJ”, has managed his London stage like a ringmaster. Ubiquitous, supremely confident, signature-styled in spectacles and suit, Jopling has become more than a dealer, almost a figurehead. Jopling, whether he liked it or not, became an emblem of London’s artistic renaissance in the 1990s.”

The Tenor That Opera Keeps Rediscovering

The old saying that there are no second chances in the theater is belied by tenor Stuart Neill, who’s getting his fourth wind. After early successes, including recordings with Colin Davis and Michael Tilson Thomas, he had a five-year exile from opera, retooling his voice and singing Christmas carols in suburban Philadelphia. Now, having saved La Scala’s opening night (and its worldwide simulcast), Neill is finally getting re-engaged. He tells David Patrick Stearns what it took to get there.