In Praise Of Terence Rattigan, Screenwriter

Simon Heffer: “I am disqualified to an extent by the fact that he was a playwright, and therefore a species I barely understand. But there is one way in which I can grasp Rattigan’s greatness. He wrote screenplays, and some of his finest plays were made into stunningly good films in the golden age of our cinema. In fact, Rattigan wrote five or six of the finest films ever made in this country.”

Photographing The Elusive Nijinsky

E.A. Hoppé: “Like most of the artists who sketched or painted him, I had to be satisfied with glimpses of him obtained either from the stage wings or by hanging about in draughty corridors. When eventually he sat to me, I found him the least cooperative of all other members of the Ballet. I actually had to ‘waylay’ him.”

Looking At Paintings With Pianist Simone Dinnerstein

“One of the most important things I’ve learned from looking at art, especially with my father [noted painter Simon Dinnerstein], is understanding how the quality of line holds a form together. This visual idea directly relates to musical phrasing. The pulse of a tempo is never mechanically even, but always expanding and contracting, like Modigliani’s line.”

Garrison Keillor’s Retirement Isn’t Exactly Imminent, Says MPR Chief

Minnesota Public Radio CEO Bill Kling: “I don’t consider it news because Garrison has been talking about things like this for the last couple of years and when Garrison says it, it doesn’t necessarily mean anything more than that morning’s musings … I’ve known him for 44 years and I don’t think there is a version of Garrison that you could call ‘retirement’.”