America’s Most Pliable, Pernicious, Persistent Myth: The Self-Made Man, From Ben Franklin To Nasty Gal

“The self-made mythology has evolved in its 200 years: from an exuberant celebration of opportunity in the young republic to a stern admonition against excess in the antebellum years; from a naive story of pluck rewarded in the post-Civil War-era, to a brazen defense of money-getting in the Gilded Age; from a beacon to the great wave’s huddled masses, to a pep talk for the young women of the digital age.”

My Life With Doris Lessing (Words Can’t Describe…)

“When she died last November at the age of 94, I’d known Doris for fifty years. In all that time, I’ve never managed to figure out a designation for her that properly and succinctly describes her role in my life, let alone my role in hers. We have the handy set of words to describe our nearest relations: mother, father, daughter, son, uncle, aunt, cousin, although that’s as far as it goes usually in contemporary Western society.”

Jessye Norman On How To Deal With Critics

“Oh, they might write it, but, darling, I don’t read it. I don’t need it. I know whether or not I have done onstage what I intended to do that night. … And if it doesn’t suit somebody who is sitting there, not having paid for their ticket to be there, and they find it not to their liking – what does it matter? Who are they?” (video)

U. Srinivas, South India’s Master Of The Mandolin, Dead At 45

“Bringing the mandolin into Carnatic music was still a new – and later, frequently criticized – endeavor when U. Srinivas picked it up at age 5. … He brought a liquid sound to his instrument that is arguably untouched by mandolinists working in any genre. Along the way, he became one of the most globally beloved South Indian musicians.” (includes video and audio)

A Remarkable Career: Soprano Magda Olivero Dies At 104

The spell she cast could win over even skeptics like Schonberg, who began his review of her now-legendary Met debut by inexplicably claiming, “It wasn’t Magda Olivero’s evening, as it turned out.” But he then went on to aver, “It was history come to life last night, as the soprano, despite her age, gave us a feminine, fiery, utterly convincing Tosca.”