A Man Who Brought Drumming Into The World’s Spotlight

}Over the years Mr. Rose appeared onstage or on the bill with Miles Davis, Dizzy Gillespie, the Rolling Stones and Peter Gabriel, and he was among those named as ‘living human treasures’ by the United Nations Educational, Scientific and Cultural Organization. He made his American debut in 1988 with a 30-member version of his orchestra at the Beacon Theater in New York, a performance featuring exuberant dancers and vivid costuming as a complement to the orchestra’s pulsing rhythms.”

Anna Shapiro Running Steppenwolf Theatre: Year Zero

“Shapiro is a star of sorts, the company’s 35th ensemble member (and one of the few nonactors in that group), acclaimed for muscular, lyrical relationship studies, the kind where a chair or two gets thrown. She is a Tony Award winner whose production of ‘August: Osage County’ remains intrinsic to Steppenwolf’s identity. Advance ticket sales alone for ‘Fish in the Dark; ($14.5 million) were about the same as Steppenwolf’s annual operating budget. And for the past few years she has added to her reputation by becoming a Broadway insurance plan of sorts, celebrity-whispering famous actors until they become believable, bankable presences onstage.”

The Man Who Made Tanglewood Chorus Cool

Before John Oliver arrived, choral pieces at Tanglewood were sung by whoever could be corralled among students in all branches of what was then called the Berkshire Music Center, plus anyone regularly at the Berkshires estate and concert venue—including maintenance and cafeteria workers. Auditioning was rudimentary: “Can you carry a tune? Do you have any free time?”

Joseph Scafidi, 94, Longtime Executive Director Of San Francisco Symphony

“Over the course of his long career, the Symphony’s activities grew from an 18-week season to its current year-round schedule, and the annual budget grew from $200,000 to more than $4 million. [He] worked closely with no fewer than five music directors, beginning with the legendary French conductor Pierre Monteux in the 1940s and continuing with Enrique Jordá, Josef Krips, Seiji Ozawa and Edo de Waart.”

Whatever Happened To Marion True?

Within months, she would lose her job, her career and leave the country. Once a curator so coveted she turned down a plum offer from the Metropolitan Museum of Art, True vanished so completely that one former boss, Barry Munitz, admitted in an interview this summer that he had no idea “where she is or what she’s doing.”