Why Do We Keep Making And Consuming Movies And Books About Steve Jobs?

Laura Miller: “When people feel compelled to tell each other the same story over and over again, there’s usually something about it they can’t quite work out. Each iteration promises, yet fails, to finally make sense of it. The life and work of Steve Jobs is that kind of story, and our preoccupation with telling and retelling it points to some sizable cracks in the American psyche.”

Reading John Cage’s Diaries

They are and aren’t as weird as you might expect – very Cagean, that – and they’re published them under a very Cagean title: Diary: How to Improve the World (You Will Only Make Matters Worse). And yes, in writing them, of course he used the I Ching; so did the editors.

When You’re A Woman, Directing Work Dries Up After One Flop

Mimi Leder: “I excel in television. I’ve directed nine pilots and six of them went to air, so my television career was flourishing, but I couldn’t get arrested in features. Saying this sounds like sour grapes, but it isn’t: It’s very different for women filmmakers than it is for male filmmakers. And the film business itself changed dramatically. They just wanted to make tent poles.”

Gail Zappa, 70, Frank Zappa’s Widow, Executor, Defender

Before Frank died, “he asked his wife to sell his master recordings and get out of the music business, she has said. But, she noted, he never said what to do with his publishing catalog – the rights to his compositions – and so she defied his request and became the keeper of his musical empire. In 2002, she created the Zappa Family Trust to manage his intellectual property, including the rights to his image.”