A ‘Handsome Valentine’ To George Bernard Shaw From An Unrequited Love

“The hand-painted card he had received showed a procession of pre-Raphaelite maidens worshipping at his shrine, his noble profile floating on a banner among the trees over their heads. It had been sent anonymously, but he knew instantly who it was from: May Morris, the daughter of his great friend William Morris, the socialist author, artist and designer.”

How Anna Nicole Smith Went From Sex Symbol To Golddigger To Punchline To Martyr

“No matter how hard Americans tried to regard Anna Nicole Smith with apathetic dismissal, they couldn’t hide their fascination – and still can’t. Why? Was she just another model, another B-lister, another early casualty of reality TV? Or did she show us something about ourselves, about our country, that frightened us more deeply than we could ever admit?”

Lonni Sue Johnson Has Amnesia And She’s Teaching Neuroscientists About What She Knows About Art

“The neuroscientists at Johns Hopkins started at the most basic level they could think of – the ‘Who painted this?’ test, which she pretty much failed. Her semantic memory about art and artists, her primary area of expertise, was significantly impaired. Remarkably, though, when the scientists included some of her own artworks in the testing, she correctly flagged every one as hers. Even more surprising, when the researchers added drawings done in a style somewhat similar to Johnson’s, she picked them out as artworks she might have produced. To do so, she had to be drawing on some sort of memory.”

Harvey Lichtenstein, Who Led The Rebirth Of The Brooklyn Academy Of Music, Has Died At 87

It’s a tale of arts and gentrification, investment and marketing, failures and ultimate successes: “When Mr. Lichtenstein arrived at the academy in 1967, its stately building on Lafayette Avenue, erected in 1908, needed extensive and costly renovation. Portions of it had been rented out, and there had even been talk of tearing down the building and using the site for tennis courts. Many members of Mr. Lichtenstein’s target audience, especially Manhattanites, viewed the neighborhood — the Fort Greene section of Brooklyn — as undesirable.”