What’s Happened Since Writer Chimimanda Ngozi Adichie Wrote About Being A Feminist

She hasn’t changed, but she’s getting nonstop invitations to what she calls “feminist things,” and she’s published a new book to help a friend raise a daughter. “Adichie recently came across her own kindergarten reports. ‘My father keeps them all. You know what the teacher wrote? ‘She is brilliant, but she refuses to do any work when she’s annoyed.’ I was five years old.'”

David Hyde Pierce On (Not) Coming Out

“Yeah, see, this always drove me crazy. Not that in particular, but just the parsing of what you had to say and when. I don’t like to be told what to do. … I didn’t come out to my parents. I didn’t accept or embrace that trope, and say, ‘Oh, this is a thing one must do.’ Instead, I introduced them to the guy I love and he ended up being part of the family.” From a long Q&A with E. Alex Jung.

Gustav Metzger, 90, Pioneer Of ‘Auto-Destructive Art’ (And Psychedelic Light Shows And Guitar-Smashing)

“Mr. Metzger developed his concept of auto-destructive art in 1959, defining it as ‘art which triggers its own destruction.’ He saw it as … an instrument to strike back at authoritarianism, nuclear weapons, commercialism and modern media.” And yes, as Matt Schudel explains, Metzger was responsible for developing two iconic facets of ’60s rock culture. (Pete Townshend studied art with Metzger.)

Gloria Steinem: What’s The Male Equivalent Of The Chick Flick?

I realized the problem began with the fact that adjectives are mostly required of the less powerful. Thus, there are “novelists” and “female novelists,” “African-American doctors” but not “European- American doctors,” “gay soldiers” but not “heterosexual soldiers,” “transgender activists” but not “cisgender activists.” As has been true forever, the person with the power takes the noun — and the norm — while the less powerful requires an adjective.