McKissack and her husband wrote, “she said, ‘to tell a different story — one that has been marginalized by mainstream history; one that has been distorted, misrepresented or just plain forgotten,’ and she urged other blacks to write more, too.”
Category: people
Werner Herzog: Los Angeles Has The Most Substance Of Any City
Herzog says his humor has been buoyed over the past 20 years by his living in Los Angeles, which he turned to after things didn’t work out with San Francisco. “My wife and I found it not the most exciting place in the United States and we said we want to move to the city with the most substance, and it was immediately clear that Los Angeles, that’s the place.”
Has A Push For Women In STEM Hurt Women In Arts And Humanities?
While Trump recently signed two bills to encourage women to pursue careers in STEM, there are no arts-and-humanities equivalents. And Trump’s budget proposes doing away with the National Endowment for the Arts entirely. Madeleine Johnson, for one, believes “women in the arts are in the shadow of STEM, because it is a field with more power, more sway, and more funding.” Other female artists agree. Has the push toward STEM inadvertently stymied women in the arts and humanities?
A 21st-Century Psychiatrist Analyzes Robert Lowell
Kay Redfield Jamison, a specialist in manic depression and other mood disorders, talks about how Lowell’s poetry changed after being treated with lithium, his own attitude to his mental illness (and that of several of his well-known contemporaries), and the ethics of using the medical records she used (and those she chose not to use) in writing a book about Lowell.
Study: Americans’ Political Polarization Is Strongest Among Those Who Don’t Go Online
“The paper, issued last month by the National Bureau of Economic Research and written by economics professors from Stanford and Brown Universities, found that the growth in political polarization was most significant among older Americans, who were least likely to use the internet between 1996 and 2012, the years for which data was available when the paper was written.”
Joan See, Who Created A School For TV Acting, Dead At 83
When she found success in television commercials in the 1960s (Oxydol, Tide, Ivory Snow, Thomas’s English Muffins, American Express), she said that “I had to learn to act all over again for TV.” So she created a school to teach Sanford Meisner technique adapted for the requirements of the small screen – a school that grew, changed names twice, and is here today.
Why Don’t We Have Literary Politicians Any More? (We Used To)
That expectation of the professional, 24-7 politician wasn’t there in the late nineteenth and early twentieth centuries. The last proper intellectual Prime Minister was Arthur Balfour, in Downing Street from 1902 until 1905. Balfour may not have been a great Prime Minister, but he was a serious philosopher. His series of Gifford Lectures in 1914 at Glasgow University, on “Theism and Humanism”, were published as a book in 1915. C. S. Lewis said it was one of the ten books that influenced him most.
Ted Hughes Was Even More Abusive To Sylvia Plath Than We Thought, Per Unpublished Letters
In correspondence with her former therapist, Plath alleged that her husband told her to her face that he wished she were dead and that he beat her just two days before her miscarriage.
Patricia McKissack, Children’s Author Who Brought Black History To Life, Dead At 72
In partnership with her husband, Fredrick, “[she] chronicled African American history and Southern folklore in more than 100 early-reader and picture books, including award-winning works about chicken-coop monsters and a girl’s attempt to catch the wind.”
Olga Rostropovich Carries On The Legacy Of Her Two Famous Musical Parents
Olga “appears to have inherited her father’s dynamism, her mother’s striking looks, and their shared persistence, and for the time being, both institutions continue apace. Like her father, the Rostropovich Festival is likely to be better known outside of Russia. Like her mother, the Vishnevskaya Center occupies a significant role at Russian opera’s heart.”
