Iraqi National Symphony Orchestra: A Progress Report

Music Director Karim Wasfi: “We’ve moved forward a lot since 2008. I’m now able to struggle with artistic quality – getting the music right – rather than logistics or mere survival. … Now, the orchestra has expanded to 90 members. We’ve put on very fine performances of ‘Rhapsody in Blue’ and Grieg’s piano concerto, Wagner, Brahms and specially commissioned works by Iraqi composers.” (Yes, bombs are still a problem.)

Liszt Didn’t Just Invent Modern Concert Life, He Invented Modern Music

Stephen Hough: “The influences that shape new musical trends are diffuse, complex, and impossible to codify, but if one person can be credited as being the fountainhead of modern music it is Franz Liszt … in three, totally different stylistic directions. Whether we like his own compositions or not, we cannot avoid contact with Liszt if we have contact with music from the late-19th or 20th centuries.”

Reinventing Pop Music – But Not Yet Sure How To Talk About It

“Great music is now constantly becoming available in ways that force us to reconsider what we’re hearing, and how we listen. For half a century, musicians and fans have congregated along two poles: the album and the single. The problem is, we still haven’t devised a language to describe the increasingly vibrant area between the two poles of the studio album and the hit single.”

Why Cutting Music Education Is A Really Bad Idea

“Education secretary Michael Gove’s decision to declare music students ineligible for the new English baccalaureate certificate sends the message that music education is another luxury we can live without. As does cutting the £82.5m a year in funding specifically aimed at providing music education – not to mention the news that one in four councils have already issued redundancies for music teachers.”

Folk Music Is Suddenly Hot Again

After several decades being ridiculed as a national embarrassment, folk music is flying. Its big names, such as Seth Lakeman and the Unthanks, enjoy major label status, while its profile has been raised ever higher by the commercial success of crossover acts Mumford & Sons — recently nominated for a Grammy Award — and Laura Marling, who last year even topped NME’s celebrated “Cool List”.