Opera Of The Hear And Now

“It’s a fallacy to think that this is new. But for some reason, the idea that opera can be topical has carried with it a whiff of provocation, even titillation, since the earliest days of the genre, when thinly disguised mythological narratives referring to contemporary rulers were a standard feature of every self-respecting state celebration.”

Peter Oundjian to Play Violin Again (Well, Just This Once)

The current music director of the Toronto Symphony spent 14 years as first violinist of the Tokyo String Quartet – until he developed focal dystonia in his left hand and had to give up his instrument. But for one concert in April 2012, Oundjian and his old teacher Itzhak Perlman will play Bach’s Double Violin Concerto with the Toronto Symphony.

Why All The Fuss Over Opera?

“For all the new commissioning and trumpeted world premieres, however, it would be foolish to pretend that it still retains that pre-eminence. Like the novel, it goes on, it attracts lots of creative endeavour still, but, save for the odd populist success, it no longer holds the centre stage as it once did.”