Philadelphia Orchestra’s New Strategic Plan Includes Cutbacks, Changes

Plans in the 69-page document released by the orchestra’s board include: a 15% reduction in subscription concerts; expansion of the repertoire to include light classics, Broadway and film music and concert or semi-staged operas; no international touring that isn’t fully funded in advance; an end to white-tie-and-tails concert attire; and a major focus on improving customer service.

The Soul And Rock Mecca In The Alabama Sticks

Muscle Shoals “wasn’t in New York or Chicago or Philadelphia, or indeed in any major conurbation. It was 780 miles away in the middle of nowhere in Alabama, a state where, up to 1955, black people couldn’t even use the same bus as white folks.” Yet the studio founded there 50 years ago became “a recording centre that was to cater for everybody from Aretha Franklin to The Osmonds, from Bob Dylan to Paul Simon and from Etta James to the Rolling Stones.”

Library Of Congress “National Jukebox” Is A Hit

Why? A good many early recordings aren’t available anywhere else. “The first 25 years of the 20th century represent the birth of jazz, the blues, the Broadway musical, the big band, country music, pop singing and the Great American Songbook, not to mention a golden age of opera and a flowering of ethnic music. Superstars from the era still loom large: Enrico Caruso, Al Jolson, Bessie Smith.”

A Greatly Reduced Scottish National Opera – The New Norm

“Scottish Opera has developed a seasonal formula that embraces the philosophy of the lucky dip. Main-scale productions are fewer and further between, but by increasing its joint activity over a whole range of production scales and performance venues, it has managed to eke out a continuous string of activity that genuinely attempts to offer value for money.”