Santa Fe Opera Announces Three High-Profile New Works

Despite the difficult economy, the company will present premieres in three consecutive summers: Oscar (2013) by Theodore Morrison, starring countertenor David Daniels as Oscar Wilde; Judith Weir’s Miss Fortune (2014), which has its world premiere this summer at the Bregenz Festival; and Jennifer Higdon’s first opera, Cold Mountain, based on Charles Frazier’s best-selling novel and starring Nathan Gunn.

Musicians’ Union Says Philadelphia Orchestra Donor Documentation Is Inadequate

The union lawyer “says the lack of records about specific donor wishes bolsters the union’s suspicion that the orchestra cannot prove that its $120 million in various endowment accounts is donor-restricted. That being the case, he says, parts of the endowment can be used to satisfy the union’s potential claim as the largest creditor in the bankruptcy.”

Will Spotify Kill The Indie Recording Business?

“While the major labels and pop music may be able to reap a real income stream from Spotify simply due to the sheer volume of streams, the Spotify model is not financially sustainable for any indie niche label. As the industry moves more in this direction (competitor Napster, for example, only yields slightly more, about 1 cent per stream), it will simply choke the indie labels out of business.”

Opera Australia Head Gives 2012 Season A Thorough Revamp

The first season programmed by artistic director Lyndon Terracini includes a three-opera summer Mozart festival (in English), Bruce Beresford directing Korngold’s Die tote Stadt with the orchestra piped in in surround-sound from the studio next door, a Francesca Zambello Traviata on a floating stage in Sydney Harbour, and a national tour of South Pacific starring antipodean heartthrob Teddy Tahu Rhodes.