Vladimir Jurowski On The Changing Role Of The Conductor

“Nowadays, the idea of a powerful personality who imposes his will on others is unthinkable, and there is something anachronistic in the role of conductor. At the same time, the overall professional level of an average orchestra player has grown immensely, which allows a conductor – who is now primus inter pares [first among equals] and not a dictator – to dedicate himself to music making.”

The Avant-Garde Opera-Directing Twins

David and Christopher Alden, aged 63 and native New Yorkers, are known for daring and sometimes controversial stagings of the classics. David (finally making his Met debut) made his career in Europe, where his style is more or less mainstream, while Christopher “has persevered in America, doing what he wants to do, where it’s basically completely against the grain.”

Director David Alden On Verdi’s Ballo In Maschera

“Gustavo is a dreamer and a fantasist – a king who wants to escape his duties, who initiates an affair with the wife of his staunchest defender almost to create his own assassin (Christ and Judas?) – a king who laughingly (how many kinds of laughter there are in this piece, ranging from light to diabolical to desperate) plots his own death step by step.”