When A Music Critic Covers Three Months Of John Cage Concerts

David Patrick Stearns: “Sometimes you need to submit to an artistic movement: Shelve as many doubts as possible, set aside questions about enjoyability, and just see what happens. … Often, I was happiest when I didn’t know how long the piece was going to be, making the experience like mountain hiking in dense fog: When you have no idea how close you are to the summit, the lack of anticipation grounds you in the moment.”

Watching Pierre Boulez Rehearse Elliott Carter

“In Cleveland, the players were bewildered during the first read-through of the score. Tensions flickered and were fanned by Boulez’s effortless, if glum, command of the music’s complexity. He could sing any instrumental part with exact precision … [He] could instantly hear if a note or a player’s timing was off, and he had no inhibitions about locating the exact source of error.”