In Budapest, Deaf and other hard of hearing adults and children use touch to experience Beethoven’s Fifth. One of them said, “Here, when the string instruments all sound, that gives a very good vibration. It is not a coincidence that he wrote this kind of music.” – Reuters
Category: music
Montreal Has Two Major Orchestras Led By Star Conductors. And They’re Thriving
Nowhere else in North America can you find two symphony orchestras (as opposed to chamber orchestras) with touring schedules and substantial discographies led by conductors of international repute. Both enjoy government and corporate support. And if they attract different audiences, this dynamic can be taken as complementary rather than adversarial. – Montreal Gazette
Phil Kennicott’s Ruminations On The Power Of Music Amidst Grief
“When grief loosens its hold, you return to the world you once knew, only to find it transformed by the thing that is missing; when, at the end of the Goldberg Variations, Bach repeats the aria with which it began, it is utterly transfigured. It is like the river in which one can never step foot twice, and Bach seems to say: ‘You’ve never heard this thing you think you know so well’.” – Van
Should The Classical Music World Just Cancel The 19th Century?
Musicologist Doug Shadle introduces his new blog/newsletter by suggesting that both the professional concert ecosystem and conservatory education can’t modernize, as everyone seems to think they should, because of “nineteenth-century elitism designed to exclude and punish rather than help students thrive. These values are so pervasive that we often can’t see them for what they are.” – The Classical Alternative
Listenership Of BBC’s Classical Music Station Up By 16%, Tying Its All-Time Record
“The classical music station Radio 3 has recorded its joint highest audience share since records began, as listeners weary of politics take refuge in Brahms and Bach. The BBC station reached 2.13 million listeners a week in the last quarter, up 16 per cent on the same period for the previous year.” – The Times (UK)
Longtime Chicago Tribune Pop Critic Greg Kot Takes A Buyout As The Company That Owns The Trib Dismantles It
A native of Syracuse, New York, and graduate of Marquette University, Kot worked for the Quad City Times in Davenport, Iowa, before joining the Tribune as a copy editor in 1980. Ten years later he was promoted to music critic and quickly established his reputation as a trusted and insightful writer on popular music across many genres. – Robert Feder
New Zealand To Lose Its Only Classical Music Radio Station
In proposed changes, the classical station will lose its FM frequency, all its presenters, interviews and live programmes. Playout of recordings will only continue as a fully automated playlist on a digital stream and AM frequencies. Under the plans, New Zealand will have no longer have a live-presented radio station dedicated to classical music. – ClassicFM
LA Philharmonic: How To Change The Center Of Gravity Of Programming?
“One of the big things that we’re trying to do this season,“ Chief Executive Chad Smith said, “is really advance this idea that Gustavo has been initiating for so long, which is to shift the musical center of gravity for our art form further west and further south. We come from an art form which historically was European and largely male. How do we, over time, change that?“ – Los Angeles Times
I Planned And Conducted Concerts Where We Didn’t Tell The Audience What The Program Would Be. Every Performance Sold Out.
Robert Trevino, music director of the Basque National Orchestra in Spain, writes about the restaurant meal that gave him the idea, how he and the orchestra staff planned and marketed the series (and convinced the media not to reveal the secret), and how the audiences responded. (includes complete video of concert) – Gramophone
Philadelphia Orchestra Makes Hi-Res Concert Recordings Available For Streaming — And They’re Free
“An initial batch of nearly three dozen pieces from the 2018-19 season are now available for listening on the orchestra’s website — a number that will grow over time. … The number of performances ultimately available through the new ‘Listen on Demand’ service is potentially hundreds culled from several decades.” – The Philadelphia Inquirer
