Director Of Canceled Tannhauser Defends His Production

“In Wagner’s opera, the mortal Tannhäuser sins by loving the goddess Venus. Today the story can no longer be told as a scandal that leads to expulsion from society. I’m interested in the great archaic theme of guilt. Why then shouldn’t Tannhäuser be made into a perpetrator, into a war criminal? In my staging Tannhäuser is forced by members of the Wehrmacht to shoot a family. The production deals with individual guilt under National Socialism and during the development of the Federal Republic of Germany.”

Was Opera Company Right To Cancel Controversial Tannhauser?

“To some commentators, the Dusseldorf Tannhauser was a stretch: the opera is set in the Middle Ages and based on a ballad about a bard called Tannhäuser. Yet the intention of the director, Burkhard Kosminski, had a logic that many could understand. In the month of Wagner’s bicentennial, he wanted to link the opera to the Holocaust – an event which the composer’s own ardent anti-Semitism seemed to presage.”

You Know The Young, Educated Listeners The Whole Classical Music Industry Is Desperate To Attract? Here’s One Of Them

Journalist and editor Jaime Green recently went to Carnegie Hall – for only the second time in her life, she says – to hear Gabriel Kahane and the Orpheus Chamber Orchestra. Unsure what to make of the experience, she contacted a friend her age who works in classical music. Read their exchange here.