Category: music

Music is power. In his 2010 book on noise and silence, George Prochnik asked a series of provocative questions that began with this one: “Is it really true that all our reactions to sound are dictated by simple equations: loud, low sounds equal something powerful, so be scared or be prepared to mate; soft, little sounds equals something small, so be calm, be prepared to mate, or both?”

That’s Turin’s Teatro Regio, “where performances increased to 110 in 2012 from 85 in 2005, even with a reduction in staff. Its orchestra and chorus have also just announced an ambitious North American tour.” And there’s one individual who seems to deserve a lot of the credit.

“While TV viewers could hear the song, they couldn’t see the orchestra in the Dolby Theatre. That’s because the orchestra was about a mile away from the stage.”

“Interestingly, it was the categories that seemed more objective such as ‘melodic memory’ and ‘beat perception’ that showed the strongest statistical correlation with wealth.”

“Viennese insist that theirs is an open, diverse, and liberal society, but their cultural envoy to the world is a living reliquary of long-ago revolutions. The orchestra lingers on those periods when the city was at the vanguard of musical culture, issuing a constant rat-tat-tat of shocks.”

Currently in his ninth season in Missouri, the American conductor has brought the orchestra back to (and maybe beyond) the national prominence it enjoyed under Leonard Slatkin. (He also recently began a second major post: artistic director at the Sydney Symphony.)

“In 1938, one of Granados’ sons sold the original opera to a prominent New York musician and publisher for $300 to raise money for the Republican cause in the Spanish Civil War. Other family members wanted it returned. The question of ownership remained the subject of litigation for decades until 1970 when the opera was reported destroyed in a warehouse fire in New York.”

“We composers, we’re scavengers. Beethoven was a scavenger, Bach too – that’s one of the joys of being creative. Stravinsky is rumoured to have said that ‘a good composer borrows, a great composer steals’. That may be apocryphal. But it’s not without truth.”

There’s no lobby, the food is bad, the bathrooms are inadequate, and… Why is it so hard to take care of audiences when they spend a lot of money to go to the opera? Manuela Hoelterhoff unloads.

“Funk’s newfound popularity is fueled by listeners from a generation that has undergone the biggest class shift in Brazil’s history: tens of millions of people moving out of poverty to form a new middle class. If economic empowerment has given this new class a voice, funk has given many of its members something to sing.”