Where The Met Opera Needs To Take Risks, Not Avoid Them

Anthony Tommasini: “It’s telling that both sides have latched on to the role of new productions to buttress their arguments. Mr. Gelb has long said that bold new productions will … entice new audiences to the house … The unions claim that the new productions are too risky and expensive. … But this argument over the new productions could compromise the artistic ambition and global influence of the company.”

Classical Music’s Past Is In As Much Danger As Its Future

Tim Smith: “Today, you tend to hear more talk about what orchestras are playing, not how; more about what operas are being staged, not how they are being sung. I don’t think there’s nearly enough attention paid by current musicians and audiences to the many ways that music used to be played and felt, how differently it communicated – and how much more grippingly it could be performed today.”

Conductor Daniel Harding Cops To Having Been “Obnoxious” When He Started His Career

“I had that attention when I was a very excitable, immature young man. And I look at my colleagues because now there are so many of us, of our generation, and I’m jealous of those who started later and have their great moment in the sun when they’re kind of grown up. I’m always going to be paying for the impression I created as an obnoxious 22-year-old.”

US Border Officials Seize New Hampshire Teens’ Bagpipes At Border

“Campbell Webster of Concord and his friend Eryk Bean of Londonderry were returning from Canada on Sunday after a bagpipe competition that served as a tuneup for the world championships in Glasgow, Scotland. The 17-year-olds, fresh off winning several top prizes in the competition in Maxville, Ont., east of Ottawa, got to a small border crossing in Vermont when they were told they’d have to relinquish their pipes because they contain ivory.”

Critic Launches Foundation To Support And Commission American Music

“Lawrence A. Johnson, a Chicago music critic, got tired of complaining that musical organizations were not performing enough American music and decided to do something about it. Mr. Johnson, the founder of The Classical Review, a group of websites with Chicago, Boston, New York and Florida editions, … [has founded] the American Music Project, a nonprofit foundation that hopes to put a brighter spotlight on the American repertory, old and new, and to commission new works.”