Salzburg’s Director Leaves A Lackluster Festival Behind As He Heads To La Scala

Alexander Periera “was reflective about his struggles with the budget in Salzburg, where he arrived after more than 20 years at the Zurich Opera House to discover that the locked subsidies had created a large financial hole. ‘I was so charmed by being asked back into my home country that I didn’t do due diligence,’ he said. ‘And that was a big mistake.'”

Did Someone Just Try To Start A Classical Music Critics’ War In Dallas?

In a 1,274-word online column titled “Classical Music Criticism in Dallas: It’s Time for a Makeover”, D Magazine’s Catherine Womack goes after The Dallas Morning News‘s Scott Cantrell for a 55-word blog post – a quick little kvetch about the word maestro – that Womack calls “insulting and condescending towards both enthusiastic audience members and The Dallas Opera’s newly appointed principal guest conductor, Nicole Paiement, who happens to be a woman.”