Why Do Jazz Fans Have No Sense Of Humor?

“Jazz already has an unfair reputation for being unapproachable, difficult, and humorless: See Keith Jarrett cursing out festival attendees for snapping photos, or Gary Peacock shooing Elvis Costello offstage in disgust. But if jazz has a humor problem, it’s mostly afflicting fans and critics, not practitioners.”

San Francisco Opera Signs Contract With Orchestra – And No Acrimony!

“With a minimum of strife or public posturing, members of the San Francisco Opera Orchestra have ratified a new contract with the company that provides the musicians with annual raises of 3 percent a year for the next four years … [and] changes to the musicians’ health coverage that are expected to save the company $300,000 to $400,000 annually.”

Qatar Philharmonic Music Director Han-Na Chang Quits Mid-Tour

“The musical director who took Qatar’s fledgling orchestra to the BBC Proms has quit, less than 24 hours after its triumphant debut at the festival in London. The shock departure of Han-Na Chang, the star cellist hired a year ago to transform the Qatar Philharmonic Orchestra into a world-class ensemble, came amid reports of clashes with its management.”

Why Did U2 Give Away Its New Album At The Apple Unveiling? (A Comment On The State Of The Music Business)

“U2 surprise-release of their new album – for free – last night for iTunes’ 500 million customers globally could be read as a band was no longer certain of their place in the paid music market and so chose to hide behind a marketing gimmick of faux benevolence. But, more realistically, it could also mark the last gasp of a major act using iTunes downloads as the main way to get their music to a mass audience.”

Why The Chicago Symphony Chose Jeff Alexander As Its New Leader

“Alexander may seem a low-profile long-shot for those who were handicapping the outcome of the search for one of the top arts executive positions worldwide. But as a closer look at the secret and highly selective search process reveals, Alexander scored high with regard to two attributes deemed paramount: the potential for a simpatico relationship with a brilliant maestro who required passion and knowledge of music first, and a proven track record as the No. 1 decision-maker at a symphony orchestra.”