Gunther Schuller Talks About Composing

“The thing about composing, nobody can tell — even Beethoven couldn’t tell until he had composed quite a bit of music and it got better and better — the degree of talent. You can’t get up one day [and say], ‘I’m going to be talented today and write a great piece.’ The only thing you can do is start composing and work your buns off working on it and studying the great music of the past and learning from it and then try to create sort of your own language.”

How I Came To Play Pablo Casals’ 1733 Cello (And What It Was Like)

“I was shaking when the door was opened and Marta handed the case to me. Should I open it myself? What if it breaks when I touch it? The cello was calmly asleep when I took it over, as if an old man was peacefully enjoying a deep rest. Moreover, I couldn’t resist the strong smell of Casals’s famous pipe emerging from the cello as I settled down to play the first notes.”

Battle For The Soul Of Nashville Music

The cluster of streets southwest of downtown Nashville has long been the spiritual and commercial center of the nation’s country music business — a concentration of record companies, small-time showbiz strivers and studios that Christine Kreyling, a local writer, once called “the Vatican City of country music.” But “If we let certain musical touchstones go, these centerpieces of collaboration between artists and engineers, then what’s left that makes Nashville’s music scene unique?”