In Paris, Salle Pleyel’s Purchase By French Gov’t Suspended By Judge – In A Divorce Case

In 2009, the state signed a contract to purchase the venerable concert hall from then-owner Hubert Martigny for €60.5 million. Now his estranged wife (and the hall’s former artistic director), Carla Maria Tarditi, is arguing that the price was artificially low and that the Pleyel is worth at least €110 million (to part of which she would be entitled in the divorce settlement). (in French)

NPR Launches New Multiplatform Jazz Series

“Featuring interviews with jazz greats, and concert video-casts from festivals and clubs nationwide, Jazz Night in America, a new initiative in jazz programming, began Wednesday. A joint endeavor of National Public Radio, Jazz at Lincoln Center and the Newark radio station WBGO (88.3 FM), it will bring jazz to audiences through its website, video and webcasts, as well as on radio.”

Atlanta Symphony Lockout: How The Musicians Are Coping

“The cellist, who has barely slept, searches his laptop for a secret recording of a former symphony executive. The clarinetist is gone, joining two other musicians now playing in the New York Philharmonic. And the percussionist, who practiced all summer for a star turn that may never come, spent a recent morning packing bottles at a local brewery. He got $45 and, he adds, a case of ale.”

Here’s A Classical Music Organization That’s Staying Relevant (Despite Its Fusty Name)

“In 2009-10 the Chamber Music Society [of Lincoln Center] gave 35 concerts along with 31 tour dates; the 2014-15 season boasts 54 concerts at home and 68 on tour. … Over the past five years their endowment has risen to $37 million from $31 million; contributor income is up 88%, and subscription sales have increased by 31%.” Stuart Isacoff looks at how they do it.

What Will Daniele Gatti Bring To The Concertgebouw Orchestra?

“The orchestra’s recently released 2013 annual report warns that unless the orchestra receives immediate government support, [it] is in danger of folding by 2016. Now, whether that’s a substantive fear or Met-like, Peter Gelb-style brinkmanship remains to be seen, but it’s clear that Gatti is coming into an orchestra that’s artistically at the top of its game, yet financially threatened as never before.”