Use Your iPhone At The Orchestra Or Opera? In Philly, Sure!

“The technological barbarians are at the gate – and are being welcomed graciously. Only three years after an errant ringtone during the New York Philharmonic’s performance of Mahler’s Ninth Symphony sparked an international uproar, two august Philadelphia institutions are telling audiences to keep their phones on – within particular limits.”

Controversial Director Axed From Bayreuth Production

“A storm in a Wagnerian tea-cup (or more properly, a Sturm in a Gral)? Maybe it really is the case that Jonathan Meese – an installationist and performance artist who became notorious in Germany last year for his prosecution and subsequent acquittal for an act of public provocation by making the Nazi salute on stage – was just too ambitious in his set design, and that the costs would have taxed even Bayreuth’s largesse.”

Billboard Music Charts Will Now Count Streams

“Billboard and Nielsen SoundScan, the agency that supplies its data, will start adding streams and downloads of tracks to the formula behind the Billboard 200, which, since 1956 has functioned as the music world’s weekly scorecard. It is the biggest change since 1991, when the magazine began using hard sales data from SoundScan, a revolutionary change in a music industry that had long based its charts on highly fudgeable surveys of record stores.”

How One Orchestra Protects Its Players From Hearing Loss

“Nine years ago, [the Queensland Symphony] started ongoing noise exposure monitoring, data reviews and plotting noise maps for concert halls and orchestra pits where the musicians played.” The results: changed layout, risers for some musicians, acoustical screens, high-tech earplugs – and much less damage to the ears, especially of brass and percussion players.