Globalization’s Downside For New Music

“For all their strengths, new music festivals like Tanglewood or the Bang on a Can Marathon can’t attract the same sort of money (and therefore glamour and press attention) as the Whitney, São Paolo, or Venice biennials. Art, through the biennial, can become particularly symbolic of the flow of global capital—often concretely too, as works are bought and sold. Music, as a time-based art form rooted in experiences rather than in objects, cannot attract the same level of capital investment.”

San Diego Opera Was Nowhere Near Financial Collapse Last Season, Audit Shows

The company’s previous board and general director abruptly tried to shut down the company last spring, claiming that there was not money or local interest enough to keep it going. But the audited financial statements for that season show an operating deficit of $52,067 on operating expenses of $15.9 million – roughly one-sixth the deficit of the previous season.

Did This Guy Reinvigorate Music Education And Make It Viable?

“Two months on, the success, not to mention the sheer speed, of the campaign, is impressive. Over 6,000 instruments were handed in to the 700 Oxfam stores acting as collection points. The instruments were then matched to specific requests from 150 primary schools across the UK, and delivered by Yodel. Each school has received up to 20 appropriately-sized instruments.”

Turin’s Opera House Persuades Gianandrea Noseda Not To Quit As Music Director

“The agreement will keep Mr. Noseda – who has been enjoying a growing international reputation and who was just named the conductor of the year by the classical music publication Musical America – with a company he has been credited with elevating to a new level. And it offers some welcome news in what has been a rough year for opera in its birthplace, Italy.”