Brecht And Weill’s Opera Has Regained Its Bite In The Huge Economic Imbalances Of The 21st Century

“Its story is so contemporary, though, that it could almost have been written yesterday. It charts the creation, supposedly in America, of a city of pleasure with no history and no moral compass – and its destruction in a morass of consumerist malaise and addiction, with inhabitants put to death for the crime of having no money.”

Canada’s Royal Conservatory Of Music Recruits Students Where They Are – Online And On Mobile

“A new app, in development, will allow students to, say, spend five minutes a day on ear training using their smartphone. Or do their sight reading. There’s an app being designed for parents of very young infants to aid in their development; the first in a series of digital products for parents of children up to age five, to be launched in a few years.”

The Most Shocking Thing About MoMA’s Bjork Show? The Music

“I can’t remember the last time I saw an excerpt of actual music—with ledger lines, key signatures, rests and notes—in a mainstream book about classical music, or in a program note at a symphonic concert or almost any other context where classical musicians actually make music. This has all been banished. The visual presence of music—except rarely as a fuzzy decorative background over which something else has been printed—is seen as off- putting, even terrifying to newcomers.”

Women Composers: Genius Is Gender-Blind – And So Should We Be

Sara Mohr-Pietsch of BBC Radio 3: “Someone asked me the other day if the reason there are fewer women composers represented at the highest level was that male composers were simply better. My response was unrepeatably rude. Frankly, it’s too ludicrous a question to validate with a polite answer. My litmus test for those kinds of comments is this: replace ‘female’ with ‘black’, and ‘male’ with ‘white’. Now put the question to me again, and see how comfortable you feel asking it.”