The Detroit Symphony’s New Principal Oboist Will Take The Job (As Soon As He Graduates From School)

“Alexander Kinmonth’s appointment also puts an exclamation point on the rapid transformation of the DSO under music director Leonard Slatkin, who has been rebuilding the ensemble following the epic six-month musicians strike in 2010-11 that threatened to push the orchestra into bankruptcy. Since the start of Slatkin’s tenure in 2008, he has appointed 10 current principal players and 27 total musicians, about a third of the ensemble.”

The Tricky Feat Of Making Opera Out Of Current Events

“Creating operas out of real events, whether in the recent or more distant past, is almost as old as the art form itself. It began in 1643 when Monteverdi’s L’incoronazione di Poppea, set in Rome in AD 64, was staged in Venice, though in the baroque and early classical operas that followed over the next century and a half, hard historical fact and more distancing fantasy were frequently inextricably merged.”

The Hell With It: Toronto Symphony Pulls Concerto From Program Altogether

When the TSO bought out Valentina Lisitsa’s contract because of controversial statements she tweeted about the situation in Ukraine, they engaged Stewart Goodyear as her replacement – whereupon he became the target of abuse and threats on social media from Lisitsa fans and/or Putin partisans. So the TSO threw up its hands. (includes astonished, heartfelt statement from Goodyear)

We’re Entering The Next Phase Of Music Streaming

“When artists lament Spotify’s meager payouts, the real culprit isn’t the streaming service, which pays out 70 percent of its revenue to labels and musicians—it’s the fact that streaming doesn’t make a whole lot of revenue to begin with. The most likely way for that to change is for there to be more paying users in the system. So if the golden age of simplicity for streaming’s early adopters is coming to an end, the health of the music industry might be worth it.”